When the movie A Doll’s House first
began, I was a little weary of what my opinion would be. I instantly began
critiquing because quite simply, it was an older film. When the actors
came out and I saw the clothing, I realized what the time period was.
Personally, I don’t always make a connection to films of this area. Despite all
of these factors, I tried to keep an open mind.
I knew that although the film was older and the time period isn’t always
my favorite, I knew the underlying message had to be good if it was considered
a “classic.”
I
was immediately disappointed as the first scene developed. The female
character, Nora, was incredibly annoying to me. It was obvious that she had
some sort of social standing, with her nice clothes and a house you presumed
she was responsible in the caring of. Yet, she acted like a child! Squeaking
and squealing, she pranced around the house as though she was a preteen girl,
immature and materialistic. This was only heightened when her husband, Torvald,
was introduced. Here they had a pitter-patter conversation, full of pet names
and jokes. Of course there were some terms of endearment, but as the
conversation went on, it became more insulting. Torvald spoke in a condescending tone
and seemed more as the father who needed to steer his silly child into making
responsible choices, not a conversation of a husband and wife.
Now
obviously I know that this was a different time period, a time where woman were
not viewed as serious and insightful assets, but more as a possession of their
spouse. Their duties were clear and cookie-cutter; they were to fill the role
their husbands wanted them to, most typically a wife, mother and keeper of the
home. This is shown repeatedly throughout the movie.
I
did like the fact that there were twists and suspense from characters like
Kristine and Krogstad. Kristine was nice to see in a movie like this, a break
from the naïve Nora. Here was a woman who didn’t live an Ivory-Tower life, but
one of struggle and hard work. She was smart, and creative. She knew what she had to do to simply survive. The fact that she divorced her husband was
also controversial for that time, yet she still did her best to maintain some
dignity. Working so hard to support her family not only showed her character,
but also that she did value things commonly valued in their society.
Even
as the storyline progressed and the character-development picked up, I was
found myself forcing myself to stay interested. But, I lost interest. I just didn’t
care about this little girl Nora and her relationship with her friends and
family. I did want to know how she would get herself out of the financial mess
she had got herself into and I thought the end result would be her walking
away and abandoning her family out of fear, which was more annoying than
anything.
Then,
it happened, the moment I had been yearning for. Torvald found the letter
revealing Nora’s secret, despite their best attempts to keep him from finding
out. Not to our surprise, he was anything but pleased. He was enveloped in
rage, repeating “you stupid woman” over and over, while the reality of the
situation he now found himself in, sunk in. Just as quickly as he found out about the
ordeal, he received the second letter from Krogstad, which resolved the issue
at hand and absolving the threat of blackmail and debt. When he began to
apologize to Nora, there was no doubt in my mind that although she was hurt and
embarrassed, she would forgive him and move on. What happened though was far
from that picture.
For
the first time in the whole movie, Nora was real. She was smart and
captivating. She finally stood up for herself and had an opinion. I couldn’t
turn away, I was hanging on her every word. You couldn’t help but to feel a
little bad for Torvald, that is until he opened his mouth. He was obviously
surprised, but also ignorant to the feelings and personality of his wife. It
was like watching their roles of their relationship reverse. The whole final
scene played with each of your emotions and just as you watched their
relationship change, your feelings towards the two changed as well.
This
whole scene really meant a lot to me. A few months ago, my parents decided the
get a divorce. I think a lot of the
reason I didn’t like the plot and the characters is because I saw my parents in
some of the scenes. No, my father did not talk to my mother as a pet like
Torvald did and my mother isn’t a silly little girl, but I they did lead two different
lives almost. My dad is all business, my mom is all about my sister and I. My
dad doesn’t listen to my mom really, and is notorious for huge outbursts of
anger-just to calm down and take back everything he screamed before. My mom is
a push-over, she would do anything to please my dad, and she allows herself to
be belittled if that means my dad will be happy. Now, they’ve pushed themselves
to their own breaking points. They aren’t happy and they want to find
themselves without each other.
I’ve always seen
my mom as “weak.” I didn’t understand why she allowed my dad to do the things
he has done to her. In return I suppose I’ve always been closer to my dad, but
my mom’s confidant. When Nora started her speech, I saw my mom. Every word that
came out of her mouth, I heard my mom talking. Just because my mom has tried so
hard to make a marriage work for so long doesn’t make her “weak,” the stuff she
has put up with, in fact, makes her incredibly strong. I can see where my mom is
coming from more now, and the movie solidified my feelings.
I personally loved
the ending. I can’t imagine how people of that time would have responded, a
woman walking out on her family to “find herself,” but I thought it was
beautiful. Her remarks about being a “doll” in both her father and husbands
home, I could relate to. I feel like sometimes I’m simply playing a role that
someone wants from me. In particular moments I catch myself playing things up
to look better to someone else. I am a perfectionist by nature, and sometimes appearance
is a huge priority of mine. I’ve had my moments of being so insecure, but
wanting others to think the complete opposite. Walking away would have been
devastating to a family, but Nora knew she was doing no one any favors by not
being true to herself.
We get so caught up in our hopes and dreams and
sometimes we forget not to settle. But holding those around us on a pedestal
doesn’t do any good either, in fact, it hurts everyone involved. The miracle
Nora wanted, I believe we all hold on to. We want those we care about most to
do anything for us, to push everything aside- despite right or poor judgments-
and unconditionally defend us.
Overall, A Doll’s
House, was real. It captured many different emotions, and showed the lengths
one would take to simply protect themselves. The fact that it didn’t have a
“happy” ending where everyone got what they wanted, was genuine. Those are the
types of films I appreciate the most. Although it seemed to drag on a bit, I
did enjoy watching this film.
No comments:
Post a Comment